The narrative cure

Culture & Démocratie 51 (2020)

The Belgian journal on ‘folktales and society’: why the folktale can help communicate trauma; on folktales, deconstruction and the imaginary; and pedagogy and the dangers institutionalizing the vernacular.

Eurozine review 10/2020

 

Subscribe to the Eurozine Review and Newsletter!

 

The new issue of Culture & Démocratie, entitled ‘Folktales and society’, looks into the polyphonic uses of folktales and their weaving together of tradition and invention. Folktales are being reinvented in the context of a globalized system of entertainment and the decline of orality, in what anthropologist Anna Angelopoulos describes as a ‘new social reality ruled by cinema and television’. So what power do folktales still have?

Therapy

Folktales are able to mediate mental life, serving as a ‘therapeutic tool for sufferers whose inner world is no longer sufficiently structured’, writes Angelopoulos. When traumatic events cause subjectivity and imagination to collapse, folktales retain a ‘magic power’ to generate creativity and the ability to symbolize experience, be it personal or collective. Folktales can produce ‘shareable images in extreme situations’.

Critique

Folktales mirror our ‘western patriarchal tradition’, argues Aline Fernande from the Belgian association ‘Les Dimanches du Conte’. But if they can structure our imagination for the worse, folktales can also ‘deconstruct and open our imaginary’. Through oral transmission, ‘folktales convey images directly to the unconscious’, initiating artistic and political reflection.

Pedagogy

The art of storytelling may be as old as humanity itself, but its worth has often been disputed. ‘For the rationalist and positivist minds of the nineteenth century, folktales were a form of obscurantism’, writes Thibault Scohier. Nowadays, storytelling is recognized by educators as ‘a way to transmit collective knowledge and self-understanding’. However, we should beware of their institutionalization for pedagogic purposes. ‘Folktales are a vernacular art’ specific to cultural, geographical and collective experience.

More articles from Culture & Démocratie in Eurozine; Culture & Démocratie’s website

This article is part of the 10/2020 Eurozine reviewClick here to subscribe to our weekly newsletter, to get updates on reviews and our latest publishing

 

CAIRN logo

This article was published in cooperation with CAIRN International Edition, translated and edited by Cadenza Academic Translations.

Published 8 June 2020
Original in English

© Eurozine

PDF/PRINT

Newsletter

Subscribe to know what’s worth thinking about.

Related Articles

Cover for: The paunch

The crux of different peoples’ history, and of humanity as a whole, is always food and hunger. In the final analysis, it’s the stomach that counts.

Cover for: Disappearing possibility

Disappearing possibility

Ny Tid 2/2024

Finno-Swedish perspectives on Israel–Palestine: why Tablet’s treatment of poet Refaat Alareer belongs to a bigger story about criticism and war; how women’s football in the OPTs is carrying on regardless; and Israeli writer Mati Shemoelof on the disappearing possibility for peace.

Discussion