‘Arche’ (Belarus) gives the coordinates of a new national historiography, discusses the publishing sector in the short-lived Belarusian People’s Republic, and uncovers the roots of the aristocratic Chodkiewicz family, sixteenth-century magnates of the Polish-Lithuanian commonwealth.
In the new issue of ‘Revista Crítica’ (Portugal): a dossier on the economy as a ‘substantive reality’, beyond the limitations of mainstream economics, looking at interdisciplinary methods and ‘economics imperialism’, the political meaning of work, and the paradoxes of ‘innovation’.
‘La Revue Nouvelle’ analyses political disenchantment in Belgium: Social Democracy urgently needs to rethink as voter apathy aids rise of far-right Vlaams Belang; and as new ideological rifts pit productivity vs. ecology and nation vs. immigration.
In New Humanist, Peter Geoghegan warns against denialism over Northern Ireland: if not a direct result of Brexit, then the new sectarianism has certainly been precipitated by it. Also: articles on religion in the UK, social tech and the far-right, and the elisions of official feminism.
The new issue of ‘Fronesis’ searches for what Hannah Arendt called the ‘lost treasure’ of a tradition of revolutionary thinking. Hunting through diverse places, from Russia in 1917 to Indonesia, the American South, and the new movements of the 1960s, we are asked to think about how revolutions have been crushed, forgotten, or their aims perverted.
‘Revue Projet’ focuses on the internet’s reinvention of political activism: the web unleashes new energies and allows for new mobilizations, but real change can only be effected with the input of established organizations and offline engagement. Also: civic tech and the débat national; universal access campaigns; and digital democracy in Africa.
Artists and writers have served as an ‘early warning system’ for political upheavals and social tensions in many eastern European countries. Contributions to the new issue of ‘Osteuropa’ focus on Russia as the origin of a contemporary intersection of countercultural aesthetics and conservative ideology.
In ‘Soundings’, David Featherstone and Lazaros Karaliotas ask how we can expand our image of the working class beyond a ‘narrowly nationed narrative of the crisis’. Also, Mary Kaldor probes the ‘tragic mistake’ to find new hopes for a ‘remain-and-reform’ position, and Gabriel Bristow clarifies the misunderstood gilets jaunes movement.
In the 100th edition of Belarusian literary journal ‘Dziejaslou’, Svetlana Alexievich explains why the irrational continues to be the underlying subject of her celebrated chronicles of the Soviet and post-Soviet everyday. Also, a history of socialism in Belarus, revealing autonomy from the early days of the Socialist International.
The Nobel Prize-tipped Jon Fosse began his literary career as a poet and novelist, but from the 1990s became famous abroad as a prolific dramatist. In Syn og Segn, Fosse talks with his editor and literary biographer Cecilie Seiness about growing older and returning to novel writing.
Estonian journal Vikerkaar devotes its summer issue to Africa, including contributions on the social and environmental costs of Chinese development, bushman culture, the hauntings of colonialism, new African writing and more.
Twentieth-century social sciences tended to leave monetary questions to economists, but in recent years there has been an explosion in the sociological research of money. ‘Mittelweg 36’ offers perspectives.
Urbanist magazine ‘dérive’ finds an old dichotomy re-filtered through politico-spatial transformations; including articles on the role of ‘ruralism’ in support for the AfD in Germany and throwbacks to imperial anti-proletarianism in the discourse of Austria’s neo-conservatives.
Expectations of an AfD surge in Saxony and Brandenburg prompt speculations in Blätter on a watershed moment for the party, as it veers further rightwards. Also, why blaming the history of the GDR for east Germany’s far-right problem is crudely ideological; and the failure of politics and media to see the Lübcke murder coming.
In Danish journal ‘Passage’, David Hasberg Zirak-Schmidt examines how theatre shapes public attitudes to historical events, with a special look at Shakespeare’s histories. Also, contributions on the ‘fictive documentaries’ of Danish modernist Peter Seeberg and the potrayal of female victims in true crime.
How can we avoid the prevailing stereotypes of ‘Africa’? How can we overcome the obsessive association of the continent with certain geopolitical markers? How do we stop seeing it as an endless reservoir of raw materials and a market for cheap goods? The new issue of Springerin develops alternative approaches to the discourse of ‘liberation’.