On 19 October, the European Court of Justice issued an injunction on Polish laws that the European Commission claims undermine the separation of powers in the country. On the political substance of a highly complex, legalistic assault on democratic institutions and the question of how far the ECJ ruling is likely to put a halt to a process well underway.
Artificial intelligence and its deployment in settings as diverse as commerce, policing, politics and warfare requires that we rethink our understanding of human agency, argues political geographer Louise Amoore. AI amplifies longstanding prejudices circumscribing access to the political public sphere and is changing our relations to ourselves and others.
‘Human Flow’ is Ai Weiwei’s film on the plight of refugees in 23 countries. The artist goes further than Picasso, who never got as far as Guernica himself, but did Ai Weiwei lose his way whilst making the film? Georges Didi-Huberman insists that human suffering on this scale calls for a much bolder critical spirit.
As the social and economic violence of inequality intensifies, contemporary French literature is charting new territory in the face of the partial failure of social activism and the conquests of aggressive economic liberalism, writes Nicolas Léger. Collective utopias may be done for; humour, the carnivalesque and gestures of solidarity remain.
Liberal feminism has completely overlooked class and other axes of inequality and subjugation, says Metka Mencin Čeplak, as the economically and politically imposed commodification of women comes to the fore, warns Mirjana Ule. What is to be done? In interview, two leading Slovenian feminists consider the options in light of a century of feminist thought.
The decree recently approved by the Italian government restricting the right to asylum is the terrestrial counterpart to the criminalization of NGOs operating in the Mediterranean. The climax to Matteo Salvini’s ongoing campaign against humanitarianism, it will have a fundamental impact on the management of migration within the country.
From the 1970s, communitarian notions of self and society gave way to concepts of autonomous, rights-based individuality. In today’s backlash, we see the return of the politics of solidarity. As politics becomes marketized, however, the more likely prospect is further disaggregation, suggests historian of ideas Daniel T. Rodgers.
Resistance is a word inextricably linked to historical anti-fascism. So can it be used to describe opposition to contemporary authoritarianisms? Yes, argues Claus Leggewie: wherever the foundations of democracy are being undermined, the history of resistance teaches us how to respond.
Official Belarusian culture is a relic of Soviet conservatism. Beneath the surface, however, a European movement in the arts is gathering momentum. It is only a matter of time before the new Belarusian culture reaches an international audience, writes art historian and novelist Victor Martinovich.
What started thirty-five years ago as an informal meeting of European editors became the basis for Eurozine, founded in 1998 as an online cultural journal and editorial network. One of Eurozine’s original goals – to offer print journals a gateway to digital publishing – has long been realized. Another goal, however, remains a work in progress: to act as a plural forum for transnational European debate. Two of Eurozine’s founding editors reflect on the evolution of the project.
The great Polish poet and novelist Zbigniew Herbert was an ‘aesthetic dissident’ during communism whose frequent travelling was a form of escape. He became a figurehead of Solidarity yet was forgotten after 1989. Ukrainian poet Andriy Lyubka on Herbert’s life and the revival of interest in his work.
For Oksana Forostyna, memories of Maidan mingle with accounts of her grandmother’s life in Kyiv before and during World War Two. Recollections of her own search for happiness in her adoptive city lead to more universal questions about the possibility of freedom and love amidst conflict and war.
If art wants to intervene in politics, it must democratize. Curator and politician Veronica Kaup-Hasler talks to Slovene journal Dialogi about her experiments in participatory artistic practice, about cultural policy and the balancing of conflicting interests, and about why the politicization of cultural funding can be bad for art.
Whether or not crypto-currencies deserve the hype, the hope remains that they can lead to more solidary forms of economy. Crypto has come to stay and, with a US debt crisis looming, may at some point become the more popular option.
The Fascist regime laid the foundations of contemporary football in Italy, however its influence was not profound enough to explain the far-right’s existence in stadiums since the 1980s. The far-right’s presence in Italian football has instead been a direct consequence of the weakness of the post-war state.
In the pursuit of cultural hegemony, Viktor Orbán’s Fidesz government has carried out a full-scale assault on the Hungarian cultural establishment, taking over funding bodies, defaming critics and putting loyalists in positions of influence. The result today is almost total conformity to the Hungarian nationalism of Fidesz and the sidelining of independent culture.