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Cover for: Not one more drop of blood

Not one more drop of blood

Sônia Guajajara in discussion with Fronesis

Speaking out about capitalism’s ‘accumulation by dispossession’ – the desperate need to stop the industrial-sized devastation of rainforests, directly affecting Brazilian indigenous people, indirectly affecting everyone.

Cover for: Ukraine: A battleground for Europe’s future

For Ukrainians, this uneven battle is about the survival of their nation. However, it is also about the future of democracy in Europe as a whole. The unprecedented act of collective solidarity at the EU border proves the resilience of civil society in the face of Putin’s challenge.

Cover for: The mould broken

With the first round of French elections fast approaching, opinion polls suggest a close contest at the top. So how has Le Pen managed to overcome the impact of new far-right contender Zemmour? And what might this mean for Macron’s centrist politics and the future of the Left, including the Greens?

Cover for: Don’t cry for me, Dostoevsky

In true Stalinist manner, Russian culture is being weaponized in the war against Ukraine. But instead of cancelling Russian writers, should we read them with a critical eye – just like other European classics?

Cover for: Surviving now, planning for tomorrow

Surviving now, planning for tomorrow

Disabled people and COVID-19 policy failures

Whether in pandemic or war, the most vulnerable are the first to besidelined. Since the COVID-19 outbreak, authorities haven’t made adequate provision for disabled people, though many are more at risk of contagion in institutions.

Cover for: Cancel culture vs. execute culture

Cancel culture vs. execute culture

Why Russian manuscripts don’t burn, but Ukrainian manuscripts burn all too well

Just after the Russian invasion, the novelist Victoria Amelina wrote an essay warning that Ukraine’s cultural community faced the same fate as the Executed Renaissance in the 1930s. On 1 July, Amelina herself died of injuries sustained in Russia’s missile attack on a restaurant in Kramatorsk.

Cover for: The universe after the orgy

When all of culture is forced into quarantine, alternative movements become the subject of fantasy. We reminisce about a time when there was freedom of expression or dream about an emancipating experience never lived. And if music’s counterculture can still arouse our interest, perhaps it indicates that such fantasies are still needed.

Cover for: Eastern European Independent Journalist Fund

Eastern European Independent Journalist Fund

An urgent lifeline for journalists from Ukraine, Russia and Belarus

Eurozine supports the campaign for an Eastern European Independent Journalist Fund. The fund will pay for stories produced by Ukrainian, Belarusian and Russian journalists who are reporting the truth on the war despite the enormous risks. This important initiative will only be funded if it reaches its goal by Sat 2 April.

Polish Belarusian border late 2021

After pushing back Middle Eastern refugees into the forests on its northern border with Belarus, Poland is now welcoming an unprecedented number of displaced Ukrainians. Deep racial and gender stereotypes are at play in this double standard, and an idea of heroic patriotism that doesn’t understand the people who don’t have a state to fight for.

General Winter, 1917 illustration

Preparing for the good times to be over

A month into Russia's invasion, is the EU ready for the challenge?

Russia’s war on Ukraine is clearly an attack on the whole of Europe, but domestic responses are still stuck with the narrative of patriarchal solidarity and the concern for consumer comfort on the home front. Philipp Ther argues for active solidarity, and with it, to prepare for the end of the convenience Europe has known: it may hurt, but without it, the long-term losses to freedom and welfare are likely to be higher.

Cover for: Sitting on the floor, contemplating your own death

Sitting on the floor, contemplating your own death

War diaries from Kyiv, Parhomivka, and on the road to Moldova

As Ukraine repels tanks, missile attacks, invasion and siege, three journalists from the online platform Gwara Media chronicle their impressions, observations and journeys since the start of the war.

Cover for: Nobody knows what Russians want. Not even Russians themselves.

Nobody knows what Russians want. Not even Russians themselves.

Can a kleptocracy have national interests?

Russia has no national interests, not even in Ukraine. Russians are denied subjectivity, the means of making rational and responsible decisions. Instead, they have state-sanctioned propaganda, rigged elections, pretend patriotism and a profoundly inhuman leadership.

Cover for: The war for democracy

The governments now sanctioning Russian oligarchs forget to mention that it was the free-market policies of the ’90s that created them. In order to regain the initiative after misreading Russia’s aggression, the Left needs to point out how the war for democracy in Ukraine is part of its own struggle for global justice in the 21st century.

Cover for: May the horror and shame unite us

In moments of intense apprehension and fear, we may well be disinclined to read books, but it is vital to actively maintain channels of mutual support. A statement by the editors of the Russian journal ‘New Literary Observer’.

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