The notion of abandoning the East for the sake of a brighter western dominates the Polish memory of ’89, writes Wojciech Przybylski. Renewed debate among the born-free generation about the period of change would foster a more individual cultural identity
The figure of the German in recent Polish literature reveals shifts in perspective from the experience of war to that of exile and resettlement. Representations of the German other in Polish self-imagining.
Bosnian Serb war criminal Biljana Plavsic is to be released from a Swedish prison later this month after serving two thirds of an 11-year sentence. Slavenka Drakulic notes that Plavsic’s “confession” in The Hague was nothing but a staged farce.
European stability is threatened less from outside than from within, argues Samuel Abrahám. Does the EU possess a strategy for dealing with the type of illiberal politician gaining ground in the Visegrád Four nations?
Corruption continues to play a decisive role in the relationship between the state and its citizens. Éva Karádi, editor of Magyar Lettre Internationale, responds to Samual Abrahám’s warning that European stability is threatened by the type of illiberal politician gaining ground in the Visegrád Four nations.
The question is not how we can protect the EU from demagogic leaders, but how the EU can protect us from them. Marek Seckar, editor of Host, responds to Samual Abrahám’s warning that European stability is threatened by the type of illiberal politician gaining ground in the Visegrád Four nations.
Nation-states have enough instruments of their own to ward off the threat of populism. Wojciech Przybylski, editor of Res Publica Nowa, responds to Samuel Abrahám’s warning that European stability is threatened by the type of illiberal politician gaining ground in the Visegrád Four nations.
In an editorial for a special issue of Res Publica Nowa, Carl Henrik Fredriksson argues that narrow-minded realpolitik in Central Europe, driven by nationalist and populist agendas, makes transnational publishing endeavours all the more important. In the context of such transnational practices, the question whether Central Europe still exists becomes less consequential.
“A person comes in, protests just like you, then shouts and rants, and then, when finally shown the piece of paper that was signed when they were on military service, they crumple.”
The Czech communist party might be an anachronism, but to ostracize it only prolongs its existence. Whether irrational or calculated, anti-communism in the Czech Republic distracts from more pressing problems, writes Marek Seckar.
Slovak society has overcome its historical handicaps and became a fully-fledged EU member-state. Yet the style of resolving conflicts among Slovak political elites undermines conditions for future development.
Devotion to “historical truth” can become an easy target for political manipulation. Deconstruction of national myths does not equate to destruction, but rather the rethinking and rearranging of the symbolic meaning of history.
Heavily influenced by the Black Wave or dissident Yugoslav cinema of her childhood, artist Nada Prlja considers its unique balancing act between iconoclasm and idealism, individualism and communism to be exemplary. In an interview with Stefan Szczelkun, Prlja talks about the cultural context of communist Yugoslavia and its mutation into a consumer culture – a shift that her artwork pivots on.
In Sweden and Switzerland, complicity in the Holocaust was for a long time ignored. It was only as a result of foreign publicity that national myths of neutrality gave way to admissions of responsibility, writes Arne Ruth.
Even if the West undertakes no obligations vis-à-vis the Rest, the principles upon which it is built suggest some responsibility, writes Mykola Riabchuk. Ukrainians are particularly wary of the Realpolitik that dominates western dealings with Russia. Whatever one thinks about the “centuries old affinity” between Ukraine and Russia, any policy that downplays the issue of values is fundamentally flawed.
After 1989, uncensored editions of many classics of contemporary eastern European literature became available, and numerous authors were discovered for the first time in the West. Meanwhile, a younger generation of writers, their imaginations liberated by events, were quick to respond to the new appetite for understanding the communist past. Katharina Raabe, editor for eastern European literature at Suhrkamp Verlag, surveys some of the most important of these authors and describes German publishers’ role in bringing them to western readers.