Articles

“Multiculturalism undermines the very opportunity that diversity offers: to enter into a dialogue about citizenship.” In the fifth debate in Eurozine’s series “Europe talks to Europe”, Kenan Malik and Fero Sebej discussed an issue back at the top of the European political agenda.

Utopian designs for the ideal society are both impractical and dangerous. Only by finding the right balance between the “holy trinity” of the French Revolution may the world steer its way through the challenges of libertarianism and laissez faire, writes Rein Müllerson.

Rather than concede the unpopularity of the wars in Iraq and Afghanistan, the British government has retreated to higher ground to persuade the electorate of its patriotic duties, writes Vron Ware. A language of sacrifice and heroism serves to exclude those who oppose the wars.

When Hannah Arendt went to Jerusalem in the spring of 1961 to observe the Eichmann trial, she befriended Leni Yahil, a German-born historian and Holocaust researcher. They began a correspondence that alternates between personal, philosophical and political issues. In 1963, after the publication of Arendt’s articles on the Eichmann trials, it ended abruptly. Yahil’s attempt to revive the correspondence eight years later failed: their friendship did not withstand the “Arendt controversy”.

A friend of Shostakovich and one of the great composers of his era, how did Mieczyslaw Weinberg get so lost? His biographer explains not only how Weinberg disappeared from view, but why we must listen to his work.

What is it good for? A passing fad! It makes you stupid! Today’s technology critique is tomorrow’s embarrassing error of judgement, as Katrin Passig shows. Her suggestion: one should try to avoid repeating the most commonplace critiques, particularly in public.

A bitter battle is underway between the supporters of intellectual property and those who defend the notion of the commons. Legal historian Mikhail Xifaras traces the history of the concept of “exclusive rights” and evaluates the emancipatory claims of the copyleft movement today.

The marketization of the media combines with digital media technology to create a political order determined by public opinion. For political decision-making, the question whether opinion is right or wrong becomes secondary to its legitimacy as a form of feedback.

Despite western Europe’s initially lukewarm response to the people’s revolutions of ’89, twenty years on the EU claims them as a cornerstone of “European identity”. Yet historical gaffes have exposed the pitfalls in attempting to create an all too tidy narrative of Europe’s twentieth century, writes Stefan Auer.

When financial and economic systems fail, trust in the state and its institutions pays the price. After the economic crisis and its exposure of the irresponsibility of global capitalism, the first step to restoring social trust is understanding what went wrong, writes historian Geoffrey Hosking.

Feminist icon, anti-Catholic fabrication – or just a woman battling in a man’s world? The German film Die Päpstin, a rags-to-riches story where the heroine becomes pope, has already been written off by the newspaper of the Italian Bishops’ Conference as a hoax. Sally Feldman uncovers the mysteries of Pope Joan.

According to the conventional view, the far-Right in Europe is antithetical to the values of liberal democracy. New research showing that far-Right ideology is a radicalization of mainstream values has a major impact on how populism is understood, writes Cas Mudde.

Humanitarian activists’ refusal of politics, combined with their willingness to identify with politics, elicits doubt and even scorn from human-rights critics. Susie Linfield evaluates the controversial debate on the future of humanitarianism.

When I was 22 I wanted to find a different way of writing about being a man, writes Geir Gulliksen. It should be possible to be as gentle as a boy or as reckless as a girl. But gender stereotypes have not changed as radically as we think.

“Participation is not only a form of co-production but also an end product in itself”. Curator, artist and theorist Paul O’Neill traces a development from the site-specific artwork to long-term participatory urban art projects.