Articles

Read more than 6000 articles in 35 languages from over 90 cultural journals and associates.

Cover for: After October 7th

Political failures since 7 October 2023 have had deep repercussions for Jews in liberal democracies. Not only are they divided over the Jewish state, they also feel alienated from societies in which antisemitism is regularly disguised as anti-Zionism, and in which the far-right has become Israel’s greatest champion.

Cover for: The elasticity of morals

The elasticity of morals

100 Years of ‘Mein Kampf’

A century after publication, ‘Mein Kampf’ is instructive not just of the mass appeal of delusional xenophobia, but also of the circumstances under which morality can become a form of terror.

Cover for: Everyday amulets

House keys recur in the stories of Crimean Tatars and Palestinians displaced from their respective homelands in the 1940s, and Ukrainian citizens fleeing Russian invasion since 2014. Ethnographic research and discourses on art and justice show how objects emblematic of home salvage the history of exiled peoples from oblivion.

Cover for: Funding cuts on the rise

As capital consolidates, culture recedes, funding vanishes, access narrows. The question persists: why fund culture at all? Cultural managers from Austria, Hungary and Serbia discuss.

Cover for: Left alone to find one another

For younger Palestinians, most of them diasporic, the heroics of the past are no compensation for the absence of an organized liberation movement. Abandoning the myths of statehood through negotiated settlement, they are defining the goals of liberation and return anew.

Cover for: The double-edged sword

From raising awareness of inequality to its derision, ‘woke’ has become a controversial English term. Set the debate in Wales, where English has dominated the national language, and complications increase. A cancelled Welsh author reveals how the overt politicization of literature is forcing some writers to abandon their mother tongue.

Cover for: Did colonization ever end?

Founded to eradicate the legacies of colonialism, the African Union was supposed to have been a means to assert sovereignty. But it has proven ineffective in countering not just western power.

Cover for: Setting the stage for genocide

Israel has authorized a full military takeover of Gaza exactly twenty years after declaring it had ‘left’ the Strip. Disengagement failed because it was never designed to succeed – least of all on Palestinian terms.

Cover for: Intellectual violence

Intellectual violence

The militarization of education in Russia

Education has become another battleground in the Kremlin’s campaign to militarize the Russian public consciousness. Youth organizations, book bans, changes to school curricula – all amount to a ‘special anthropological operation’.

Cover for: No reason to panic

Russian drones entering Polish airspace, militarily seen as intensified provocation rather than open warfare, have nevertheless provoked costly responses – both from NATO’s air defence systems and civilian reactions to disinformation. A war correspondent’s view of what can be done technologically – for greater military efficiency and improved civil defence.

Cover for: Sexism in space

Why was the distinguishing mark of female genitalia erased from NASA’s 1970s image travelling outer space? And will compromised depictions of life on Earth avoid sexist, racist and anthropocentric simplifications by 2036?

Cover for: Russia is not the sea

Imperial Russia saw the nation as the sea into which all the other Slavic cultures flowed. The idea persists today not only in Russia’s attitude towards its neighbourhood, but also in the way eastern Europe is studied in the West.

Cover for: Wonderland is terrifying

While book publishing is an ailing industry, children’s books are booming. But political attacks and censorship are also threatening this thriving sector.

Cover for: Neither here nor there

Neither here nor there

Brazilian migrant slavery in Portugal

João Cabral de Melo Neto’s 1955 verse drama ‘Death and Life of Severino’ accompanies Brazilian migrants in Portugal. Having fled violent crime, they seek freedom yet commonly find a life of servitude and institutional violence, where only art provides solace from poverty and hunger.

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