Writing in opposition
A conversation on the politics of literature
When political points can be scored by tearing up children’s books that are deemed too tolerant, what is a writer to do? Should they become an activist?
is a writer, critic, and scholar. Her stories have been widely anthologized and her first volume of fiction is Esti iskola: Olvasókönyv felnotteknek (2007; Evening School: A Reader for Adults). Bán is also a prolific writer of essays and reviews on literature, art, and visual culture. Her essay collections include Test-Packing (2008) and Amerikáner (2000). Her most recent book is Exposed Memories: Family Pictures in Private and Collective Memory (2010), a co-edited volume. She is Associate Professor of American Studies at Eötvös Loránd University in Budapest.
When political points can be scored by tearing up children’s books that are deemed too tolerant, what is a writer to do? Should they become an activist?
Following the political logic of pop-cultural palaeontology, Hungary’s resurgent far-Right excavates archaic cultural identities for the youth of today, writes Zsófia Bán. Mythical symbols of national strength fill the historical void felt by post-’89 generations, whom even the cathartic moment of regime change fails to unite.
A man looks at photographs of his youth in pre-war Budapest. Above all he remembers his love, the seductive Jolika. Yet memory is tainted by sorrow as it becomes clear that this is a story of loss and displacement.