Primoz Jesenko

Celebrated playwright and theatre director Matthias Lilienthal talks about the past, present and future of what he calls the ‘theatrical mode of production’, the new forms it might bring about, and the new audiences attending radical theatre productions.

After his return from the Homo Alibi festival in Riga, one of the participants in the Mobile laboratory of theatre and communication, an initiative of the F.I.T. – European theatre festivals network (Exodos Ljubljana is one of its members) – stated in The Guardian that British theatre has a serious problem.