The social is not abstract
Josef Schützenhöfer's "Social Painting" and the provocation of the figurative
Residual authoritarianism and social inequality, be it in his native Austria or in the US, are both target and spur in Josef Schützenhöfer’s painting. Literary critic Klaus Zeyringer describes the artist’s development of a painterly aesthetic in keeping with his social-political commitment, first in the political paintings executed in the US in the 1980s and 1990s, and later in the work at the Steyr-Daimler-Puch and Semperit plants in Austria. Now, with the hegemony of abstraction losing its hold, Schützenhöfer’s “Social Painting” is having its day.